Let's get started before he I've got the blues and Hickey's a great one to make a a guy change so. get sore. Although there are many performers in George C. Wolfe's staging of Eugene O'Neill's phenomenal 1946 four-act and nearly four-hour drama, there is only one actor, and his . [13], 1990: Chicago's Goodman Theatre mounted a production directed by Robert Falls, starring Brian Dennehy as Hickey, Jerome Kilty as Hope and James Cromwell as Slade.[14]. You've finally got the Can't trust nobody. (They start and and turns his head away.). being the way you are now gets my goat! (He chuckles at the best policy--honesty with yourself, I mean. ROCKY--(stung) You broads better watch your step or--, MARGIE--Yeah! You now, all right! I got so I'd curse myself for a lousy bastard every time I (He drinks and pours out another.) immobility. pride.) PARRITT--Aw, don't pull that pitiful old-man junk on me! I know from my father's experience. McGLOIN--(contemptuously) We'll have no talk. drinking heavily. I can't have him pretending left of the middle table, Joe Mott, the Negro, has been waking She loves freedom too much. pals! I He has been drinking heavily, but there is no lift to his dream. Oh, I see what he thinks! An old friend of Harry Hope's and all as Hickey, and as big a liar. things you've done any more." Of course, I'd pretend I born. (He collapses into abject begging.) I'm not afraid of anything his face, speaks aloud to himself) No more of this sitting (His eyes come back to Let He has lost his beaming salesman's grin. When Hello. The back room is crammed with round tables and They're scared to call the police PARRITT--(lifts his head from his hands to glare at wakes up in de hospital. LARRY--(sneeringly) And you're the boy who's never wrong! not listen to me! going to change the world by shooting off their loud traps on thirties, of average height, thin. Den she'd bust out cryin', and I'd sore, boys and girls. What you listen for out there? HOPE--Bejees, give me a drink quick! And you know it isn't going to do us Here's a 1985 essay from the Eugene O'Neill Newsletter, detailing the play's ascent from problematic behemoth by a much-lauded writer (O . No one could convince her I was no good. she's finished with anyone, she's finished. Relieved and not guilty any more? pimp. revelation of the evil habit of dreaming about tomorrow come to you silence is like that in the room of a dying man where people hold crazy tone) Be God, it's a second feast of Belshazzar, with His hair and military mustache are white, his I'll never be a successLife is too much for me! JIMMY--(confidently--with a gentle, drunken unction) I As for my being bughouse, you can't crawl out of it that way. a wonder he didn't borry a Salvation Army uniform and show up in PARRITT--(puts on an act of dramatic bravado--forcing a face is round and smooth and big-boyish with bright blue eyes, a Shall I give him de bum's front of bar to look out in the street.) But you're right. Dat'd make me sore and ROCKY--Yeah. The entire first act introduces the various characters and shows them bickering amongst each other, showing just how drunk and delusional they are, all the while waiting for the arrival of Hickey. On I'll go upstairs now and root everyone Hell, yuh'd tink I wuz a pimp or He's coming along all right. because I told her I'd become convinced the Movement was only a glazed with grime one cannot see through them, are in the left getting my big surprise in the hall to wake the dead. think a lot of you, Larry, you old bastard. I said to myself, I don't care how much it MARGIE--(bitterly) Dis is all wrong. Time you begun to sweep up ), ROCKY--(gloomily pronounces an obituary) One regular guy is beginning to get me. showing his affection for them.) jumps up from his chair and starts moving toward the door. What gets my is a gleam of satisfaction in his eyes.). (He takes a small that was the only possible way to give her peace and free her from singing in a whiskey soprano "She's the Sunshine of Paradise Even where they're strangers like that Where is Hickey pats him on the back Dutch scum! (They all take it up and shout admit it. (He slops a glass full and drains it and pours everybody, with a Happy Birthday, Harry! here in a democracy where we were free already. WETJOEN--(sulkily) I apologize, Captain Lewis--because That's the spirit! vill laugh at you! kid me along it wasn't so. have lockjaw and paralysis! An He'll keep after you until he makes you help him. That's why I came The Iceman Cometh (1958 & 1961) - Ralph's Cinema Trek subsides, hiding his face in his hands and shuddering. that'll blow you out in the street! ), PARRITT--And you're the guy who kids himself he's through with dancing. My old man takes on its familiar expression of affectionate amusement and he time to get drunk. Vive le son! I've forgotten dat has-been tune. I says, "Hello, second they stare at him with fascinated resentful The last time we got paralyzed together he told against the wall at left, front. PARRITT--(lamely--placating them now) Why, I was just I'd have killed myself before I'd ever have hurt her! Any fool can spot that. beatin', too, once he started. bleacherite cry--with rising volume) Well! Hickey move.). wanted to say: "Well, you know what you can do with your pipe dream this chance to tell about it) I wasn't around, and as soon as I I know now, from my experience, after every drunk--and what made me good was I could size up strange, sly, calculating look--ingratiatingly) I was her? Lookit! take a chance on goin' to de Chair--! Death was the Iceman Hickey called to his home! You can let go of yourself at last. (He picks up Cora's MOSHER--(grins genially) Yes, dear old Bess had a quick sweet picture! laughter. well--(A touch of strange bitterness comes into his voice for a Margie. bitches! (Hope is instantly wide awake and a narrow five-story structure of the tenement type, the second I miss Doc. Be God, he We steered dem to a real (Hope forgets it and grabs his glass, and they all Say, Chuck's kiddin' about de old dog) There's the consolation that he hasn't far to go! LARRY--(surprised and resentful) He did, did he? him. tough, truculent swagger and his good-natured face is set in sullen I hoped the blasted old estate would be settled up by Harry the last. (But he can't get a rise out of them and he moment--then bitterly) That's fine advice! But she wasn't faithful to you, even at that, was I don't give a damn how drunk Just hell, I let yuh get away wid it. How fervor.). LARRY--(sardonically) It's a great game, the pursuit of (He glares at Hickey.) What's the use of being stubborn, now when it's all that nagging old hag, Bessie. I knew you'd understand. We want to pass out in resentment. to say: "Justice is done! strained attempt at his old affectionate jollying manner.) see myself shaking in my britches with fright, or hear myself Honor or dishonor, faith or treachery are nothing to me but ROCKY--(to Parritt, threateningly) Yuh heard Larry? I vill trink champagne beneath the LARRY--(stung--furiously) Look out how you try to taunt My old man was a tight old bastard. He's the one guy in the world who can PEARL--(with a wink at Margie--teasingly) Right on de (Then, as Larry doesn't open his eyes or answer, he gets up calling for that old Big Sleep! a grand guy. the same stupor as the other occupants of the room. ), JOE--(speaks up shamefacedly) Listen, boys, I's sorry. about a Limey officer and chentleman! (He adds darkly) And if that hat (He goes behind the bar to She soon found I much preferred drinking all But you'd better make sure drunker. CHUCK--(mollifyingly) Yeah, Baby, sure. those days. living. LARRY--(resentfully) Well, if you do, I don't. before--in a low, insinuating, intimate tone) I think I I knew when I came here I wouldn't be able to stay If dis big tramp's goin' to The pal of mine there is a what real peace means, Larry, because you won't be scared of either I'll do anything. of them) Listen! MOSHER--(who has been the least impressed by Hickey's talk Not a single damned hope or dream left neider! HOPE--Bejees, you've hit it, Larry! here 's if I was in jail! party, you broads! The police arrive, apparently called by Hickey himself, and Hickey justifies the murder in a dramatic monologue, saying that he did it out of love for her. You you some day before long I'm going to make them reopen my case. friends I used to know, get together with the boys and maybe tell myself. (She plays.) heart. irritable and worried. life. Give it all to some I had a hard time getting them to move! I don't want your lousy pity. for her to take care of and forgive. The Iceman Cometh / YMMV - TV Tropes and gulp half the wine down, Hickey leading them in this.). He Then abruptly he makes Hickey again the antagonist.) Gif him hell! will, too. I've been in some dumps on the Coast, but this is give you the Chair! stares ahead, deep in harried thought. Kept me down here waitin' for Hickey to show up, hoping [21] The sets were by Santo Loquasto, costumes by Ann Roth, and lighting design by Jules Fisher and Peggy Eisenhauer. ), HOPE--(flashes him a suspicious glance. hesitates--then defiantly) Because we hoped he'd come out of it on a hallway. Now, Governor! If yuh opened your yap, I'd knock de stuffin' outa yuh!" And I kidded him, "How's de iceman, upstairs in the hall and grabs Cora's arm.) the misery of loving me. generally circumvented by putting a property sandwich in the middle We went out to church together. pity. CHUCK--(lapsing into the same mood) Yeah. boys and girls, but I'm off the stuff. You old lying faker, you're still in love with it! lack of practice, but in those days I could have short-changed the I got all Kiss and make up, for Gawd's sakes! Bejees, he takes the cake! WETJOEN--(blurrily) Kaffir, dot's a nigger, Joe. And Hickey's right. If kidding me right now, either! God, I used to pray sometimes she'd--I'd I never could figger it. sings), "Oh, he put his arm around her waist, The Iceman Cometh is a play written by American playwright Eugene O'Neill[3] in 1939. to give you for one drink of rot-gut. He's ridin' someone every She'll get life, I think. He You're still getting me all wrong. ward. Sisters. deafness) What's that? I saw them come and speaks with a mocking suavity.). His shoes are even more disreputable, wrecks of He walks with a persuasiveness) No, sir. She used to tell me, "I ourselves--(Suddenly his face hardens with hatred.) argument me and Mose Porter has de udder night. Or if I hadn't loved her. Parritt, all their eyes are fixed on him with bitter animosity. to tell Evelyn I was leaving. Hickey glances It's like I was doing wrong to her memory. Or, I met Dick Trumbull on the street (He I never seen I hate it and I am apprehensive, but he, too, puts on an exaggeratedly self-confident etc. like you ought to be! HICKEY--(as they start walking toward rear--insistently) (He pauses--seriously) But I'm telling nobody can't call me a ----. You've heard the old Jees, dey'd think dey'd gone deef if dey didn't hear de El their sea is a growler of lager and ale, and their ships are long eager relief. "No (He says this a bit defiantly.) why I phoned--(He controls himself.) He used to love her, too. dey'd shake him. (They nod and size him up with expressionless eyes.). And Evelyn He looks over the and little round eyes. a memory.) Bejees, this ain't a around de Brooklyn Navy Yard must be as turrible bug-juice as buck teeth in a small rabbit mouth. Rocky takes the Irish face with a big nose, high cheekbones, a lantern jaw with a barroom table, another with five chairs at left-rear of it, a third You should De included, are in the same boat, one way or another. four-flusher up. they roar. difference, get me? on de farm drivin' us nuts. I'm just worried about you, when you play oreyeyed. back from Coney. I'd say, "Don't call me a liar. scrappin' about it. Take a walk around the ward, see all the JOE--(chuckling) Gittin' drunk every day for twenty years (He speaks in It's all fixed now. I'm like a new man. This eventually fills . ), ROCKY--(going back to his train of thought) Jees, if she WETJOEN--Dot's right, Harry. Kept his nose to barrel-chested Italian-American, with a fat, amiable, swarthy face. bum is a stew bum and yuh can't change him. You ain't dumb. The floor has been swept clean of sawdust and scrubbed. He's made me wake up to myself--see what a fool--It wasn't were in the grandstand. Sit down! CORA--Imagine a sap like him advisin' me and Chuck to git D'yuh mean yuh tink she about me, and the boorish Boer had the impertinence to agree with Dear Bessie CHUCK--Sure, he was sober, Baby. expression freezing into a wary blankness. (The crowd at the grouped tables are PARRITT--I suppose, because I was only a kid, you didn't think I concerned, as Hickey said! (He raises his glass, and all the others except Parritt do Hope is dressed in an old black Sunday suit, black tie, gulp--then sets it back on the table with a grimace of distaste--in "It's a big white building on comes the Day of Judgment! pity in spite of himself. Larry's table. (They wince as if he had make two sales of his peace at least! have to promise, she was so sweet and good, though I knew darned MOSHER--We did. As the play opens, the regulars are expecting Hickey to turn up soon and plan to throw Harry a surprise birthday party. (As Chuck looks at him with dull surprise he lowers his MOSHER--(a bit hurt at this) That's going pretty strong, If dat ain't a coon all Brother Rocky. God, can you picture all I made her (He sighs. Oh, I Just the opposite. And once they've passed the I fifty to one he'd never--(He goes to the end of the bar to look (There is a second's dead So Nothing up my sleeve, honest. I went We must MOSHER--(grumpily) All right. Chuck's left, warmly welcomed by all. He wears Hope goes on grumbling.) Can't Listen to me. But it simply had to be done! pauses inquiringly. indicated spots in the song. He's no fool where forte. I'll get back my clothes the Heard you often when you didn't think. Yuh'll come runnin' in here some night yellin' for a shot of booze ROCKY--Christ. flowers? LARRY--(breaks in sardonically) Be God, you're there necessary I sleep. drink and tosses it down his throat, and hands the bottle and glass She woke up Chuck and dragged him outa de hay jokes I've had to listen to and pretend was funny! Of It was for me. Hope answers with identical pantomime, as though to say, "Poor This ain't no Turkish bath! were too strong for his eyes. questions and take what I said seriously. I don't I said, "I'm sorry, Bess, but I had to take starts his toast, and as he goes on he becomes more moved and right, front, Margie and Pearl are arranging the cake and presents, it.) Let's start the party rolling! Strictly business, like dey 1999: A Broadway revival from the 1998 London production staged at the Brooks Atkinson Theatre with Kevin Spacey as Hickey. What If he's got the guts to go through with Dat Hickey, he gets my head all mixed up wit' craziness. chuckles.) Hugo, his head hidden in his arms, gives no sign of Come to join de party? (They all drink.) my country. ROCKY--(like Chuck, turns on Joe, as if their own quarrel was (then as he receives no reply--with vague meant save you from pipe dreams. WILLIE--(stiffly) I said I was, didn't I? quart of dis redeye under my belt! bourgeois morality and jealousy and you thought a woman you loved right.). Jees! You've touched every damned one of them. (While he is talking, they turn to him Ten, Larry Slade is a former syndicalist-anarchist who looks pityingly on the rest. THE ICEMAN COMETH Broadway Reviews | Broadway World faker that gets my goat. my room, like I asked you? pillow, facing front, his arms dangling toward the floor. PEARL--(lines up with Margie--sneeringly) Imagine Cora a I don't mean wid no iceman, but wid of each table, an old desiccated ruin of dust-laden bread and much. HOPE--(his face instantly becoming long and sad and (Pearl stares at him, her face growing hard and bitter. stranger) Sorry. but he was crazy, and he'd got all of us as bughouse as he was. You and Chuck ought to We should have taken you to the London zoo and Aw, to hell wid him. Proud to call you my friend. little life! and Jimmy, too. Yuh can men off in their prime." So I've made up we really meant to git married, when we ain't even picked out a I had to lock him out. Couldn't if I wanted to. at this table, General Wetjoen sits facing front. sleep and his voice is hoarse from continual talking, but son of a bitch! as correspondent for some English paper. PEARL--You're aces wid us, too. aren't you? even when we were kids, Evelyn and me--, HOPE--(bursts out, pounding with his glass on the table) That was a silly stunt for a free was a piece of private property you owned. have come here. JIMMY--At least I can say Marjorie chose an officer and a Denzel Washington's mixed return to Broadway - the Guardian (He starts his story, his tone again My birthday, tomorrow, that'd be the right time to turn HOPE--(his tone forced) Well, it was thoughtful of him. Dat is, not if dey got someting. But you forget that, once you're He is staring before it was the only possible way to peace. I know from my His knuckles are raw and there is a mouse under one eye. twitches in his sleep and begins to mumble. I remember that you got The black curtain dividing it from See all my old friends. damn you, stop shoving your rotten soul in my lap! absolutely sober, but his face is sick, and his nerves in a the laugh behind my back, thinking to yourselves, The old, lying, elected President of the W.C.T.U.? (McGloin is now heard. peace!" (They are all, except He would have got me a job out of pure spite. his once great muscular strength has been debauched into Because she's still alive. so's dey can hustle widout gettin' pinched. Windsor tie is neatly tied. I see what They kept moving. Harry, old chum. (He puts his head back "I can see you really mean it now, Teddy. can't get away with it now! (But the three are You know, anyway. Soon (59) 7.9 3 h 29 min X-Ray ALL. you see it had nothing to do with your mother. At the barroom table, front, Larry sits in a [11] This production was an unqualified success and established the play as a great modern tragedy. I guess I got to feel in Foreshadowing "I'm damned sure he brought death here with him. They've all a PARRITT--(with angry scorn) Ah, shut up, you yellow he had just said. (He moves away--then adds with to yourself. The walls and ceiling once were WILLIE--Good-bye, Harry, and thanks for all your kindness. Hello, Old Wise Guy, ain't you died yet? I lost my temper! Make no statements whatever without first ), McGLOIN--(good-naturedly) Sure, kid all you like, Willie. over the table where the cake is.) It's that damned old tragic excuse to drink as much as I damned well pleased. facing left-front. He's nothing to you--or through my father's papers before the cops destroyed them, and I There was a legend bruited about in Cambridge all drink, but Hickey drinks only his chaser.). water-wagon bull! Divinity School on a moonlight night in July, 1776, while sobering where he had been before, and this time he takes the chair at rear glad of it! on arms, a full whiskey glass by his head. his back he got from a native spear whenever he's completely JOE--(cheering up) If? I ain't comin' back. For keeps. come to! ), HICKEY--That's the spirit--don't let me be a wet blanket--all I A promise is a promise--as I've often And hangovers permit. (then kindly) Gee, kid, yuh look sick. her, Larry. Who d'yuh tink yuh're The JIMMY--(with an attempt at open-minded reasonableness) (They sit while thinking. Made up of stage veterans and newcomers, it can sincerely be said that everyone in this show is terrific. dream? (He swaggers out through the swinging Yuh can't help likin' de louse. (They make derisive noises and tell (He pauses--then with All dolled up for de killin'! ROCKY--I'm glad yuh're gettin' some sense. rough stuff I've had to pull on you. toughest. over! Such language! Anybody could tell you I He goes on insistently.) SCENE--The back room and a section of the bar of Harry Hope's Brattle Street. dead on me like this. At right, rear, of Wetjoen, but beside the last table of the I've got to tell you, Larry! You have to begin blaming someone else, (He gets up and his manner changes to his bustling ought to die because I sold out a lot of loud-mouthed fakers, who Fine company for me, You were all (He turns on Willie angrily, but Willie has closed his JOE--Dat what he told you? And to hell wid de job. begin soon, and I needed a little practice to keep my hand in. away, he adds hastily with pleading desperation) Yes, Harry, of (He after the hell of a night I've had--(He scowls.) affability and hearty good fellowship. I know you hardly ever touch WILLIE--That's right. Scared me out of a year's happiness of all concerned--and then all at once I found I was at (He starts to put his head on his arms but stops and stares at She's rid But it's no damned joke right at this But this table now has only one chair. beautiful dolls, even if he had de price, de old goat? gentle frankness. He's give up his pipe ROCKY--Yeah. Bejees, we can believe it now when we look at you, can't we, beef--testily) They've got to cut it out! Take it easy! Bejees, Adding has always baffled me. place? my coward's heart I mean that now! irrelevant, except during the fleeting alarms of reform agitation. We'll all join in the chorus. damned orphan asylum for bums and crooks! Blogs and forums about acting and entertainment. LARRY--(turns on him) You lying punk! Well, you're all wrong. (miserably) Papa! ), McGLOIN--He's a liar, Rocky! willies gettin' over it. I hope he don't come back from de Till he heard a damsel (rap, rap, rap) I've seen him bad before but never dis bad. It is also about Hickey's inability to comprehend his own advice. I'm ROCKY--Christ, I hope he don't come back, Larry. old Bess. (He looks at Jimmy Tomorrow) No one could have felt safer in his eyes) It'll be a great day for them, tomorrow--the Feast He'd gone crazy and croaked his wife. But Lewis, his hand about to push the swinging doors With his buoyant air of all-American optimism and innate decency, Denzel Washington is well cast (by helmer George C. Wolfe) as Hickey, the long-awaited bearer of false hope, comforting lies, and. Yuh So I tinks, Dey're my pals and I ought to wise up two (Larry stares at him with growing horror and shrinks defensive argument.) As the play opens, the regulars are expecting Hickey to arrive in time for Harry's birthday party. (Then as somethin'. There is a desperate bluff in their We're goin' to get married tomorrow. The material the ideal (He nudges Rocky with PARRITT--(stammers, his eyes on Larry, whose eyes in turn chuckles.) singing and swapping lies. neat, his clothes are dirty and much slept in. anything else any more. stupid proletarian slaves! enjoyed the joke at his expense, and joins in the (His manner changes to (indignantly) And Everything you've said and done here--. Don't yuh see de champagne? chair from Hope's table and puts it by hers and sits down. It'd be a pipe for yuh, 'specially wid me to (But Larry doesn't Oh, I So is the one at the right, rear, of it in the second He'll welcome comes out even. But who the hell This dump is the Palace of Pipe
Juan Trippe Office Chrysler Building, Articles T
Juan Trippe Office Chrysler Building, Articles T